暂无剧情简介

暂无剧情简介

Bonjour la Classe is a British television comedy series broadcast on BBC1 in 1993. Created and written by Paul Smith and Terry Kyan, the series centered on Laurence Didcott, a new French teacher at prestigious Mansion School. Didcott discovers a prevailing attitude at Mansion, among staff, benefactors and even students and parents, that places what's best for the school ahead of pupils' education and well-being. The scenes at the school were shot in the winter of 1992.

The story of the successful publicity campaign that made it possible for the French film The Artist (2011) to win five Academy Awards: an intimate look at what happens when a silent, black-and-white French film astounds Hollywood.

This field trip seemed to be a good idea... Five days away from school, away from parents, in an organic farm, in order to enjoy the fresh air and initiate to ecology... But, in fact, everyone was a bit worried. Toto's parents, leaving their son for the first time ; Toto's teacher, at the idea of watching after him 24 hours a day ; and Toto himself, without the possibility of driving his parents nuts, without the neighbour's cat to torment, far away from the schoolyard... he was afraid to feel like time was dragging.

A multi-narrative drama that navigates through the different lives of one city's residents, each of whom is connected to the same local homicide investigation. This ensemble cast of characters includes an Iraq War vet returned home to an emotionally disturbed wife, a new father living in the shadow of a successful older brother, a sister caught up in a web of addiction, and a cameraman who attempts to exploit the reality behind all of their stories, or at least his version of them. The search for truth becomes a life and death struggle as the subtle manipulation of all relationships is exposed.

This final follow-up to 'Till Death Us Do Part' follows an aged Alf Garnett, now dealing with his wife Else's declining health and mobility, as well as the challenges of navigating the social security system and other everyday situations.

Nastja Säde Rönkkö recites one poem with three narrators: a teardrop, a droplet of blood and a bead of sweat. Each tells love stories through biochemistry – about love, belonging and loss, and about crises lived and impending. The words are vivid but not enough, supercharged here by hyperreal images of landscapes both physical and emotional, and the fluids expressing and crystallising them.

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